- Lisa Lumina
Level One:Undulations Unit, Class 2
Updated: Feb 23
Articles
Raqs sharki has, for as long as we know, existed under patriarchy. And if you REALLY want to dive into an academic discussion of how THAT has worked out, click here (I mean it, that is a very extra-credit article, feel free to skip it or save it for later ^_~). For the real reading this week, let's look at the role bellydance can play in healing from patriarchy, particularly our relationships with ourselves and with women. This article is by Yamê.
Regional Highlights This unit, we're focusing on Anatolia and Iran. These regional highlights are meant to give a general orientation, and really only scratch the surface of the diversity of arts in the MENAHT/SWANA area (Middle East, North Africa, Helene, & Turkey/SouthWest Asia & North Africa).
Greeks living in Turkey (Anatolian Greeks) and in Egypt (primarily in Alexandria) have made a big contribution to raqs/dans. In addition to being performers in these countries, the diaspora that came to the US following persecution by the Turkish government helped to found the American Nightclub style. (Just don't let anyone tell you they invented kimonos and bellydance ^_~)
Of course there are many many different folk dances around Turkey and Greece, but we're here for an introduction right now.
Videos
This clip includes Greek bellydancers, plus a sample of line dancing indigenous to Greece. In another week, we'll clips of Katy (Greek-Alexandrian star of Egyptian cinema) and Nadia Gamal (Greek and Egyptian parents, who naturalized to Lebanon and came to define the Lebanese style for a time).
You can also use bellydance to show strength in a creative (as opposed to violent or destructive) way.
Softness doesn’t preclude either of those traits, and bellydance is a medium that lends its self well to the balance of all these aspects of your selves. It’s also a great way to practice having faith in yourself, and trusting that even if things go wrong you can go with the flow and make it work.